Juanele visited Eduardo Gil in his studio where he has undertaken the task of revising his entire archive, negative by negative. We see photographs that have never been exhibited. We discuss how the same image can adorn the pages of a family album or become highly critical, depending on the intention, the context and the sense of the work. We talk about the importance of experimentation and why photography has radically changed in the last ten years.“
For art in general, Gil says, certainties are lethal.