Dark and Crude

It’s dark. It’s raw. It’s Juan Pablo Ferlat’s well-concieved, engaging show Crudo (Crude), on view through October 21 at La Ira de Dios in Villa Crespo.

As I stepped inside the door during last Friday evening’s opening, I was immediately intrigued, the gallery — crowded with hip, artsy types — was half-dark, the lighting so low that I could hardly make out the types of cookies being offered to me by a kind, older gentleman.

Herida #2


 

Around me, on walls painted standard-gallery-white and jet black, was a collection of hand-crafted paper and gigantic shots of human faces glistening in the color of oil. Beside the entrance, a sculpture of a tiny, petroleum-black head spun in quick, clockwise circles. It was a fascinating scene to take in.

I made my way around the gallery, impressed beyond expectation by the improbable beauty of all I saw, most notably the paper works in the “Herida” (or “Injury”) series. I’m often taken by works that evidence the sheer mastery of a craft, and these thick, fibrous sheets — fashioned from San Pedro cactus — were no exception. Ferlat conceived them as part of a larger project in which he explores the physical resources of the Argentine North and the symbolic ones of the Hindu and Buddhist traditions as an alternative to the petroleum-dependent methods of industrial production.

Crudo


 

I found myself lost in the textures of these works, in the shiny slickness and scabby flatness of Herida #5, in the almost edible stickiness of Herida #7, in the scarred and burned lunar expanse of Herida #2. Under the unyielding stares of the Crudo-series photographs, and accompanied by a helpful explanatory text, these remarkable works may not point to a petroleum-free utopia, but they serve as a poignant reminder that pre-industrial craftwork can play as vital a role in art today as it did in the time before “crude oil” became shorthand for Western economic growth.

Juan Pablo Ferlat
Crudo

Through October 21

La Ira de Dios
Aguirre 1153, PB A

Monday – Friday 2 – 7 PM

 

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